Translunar Paradise |
Published on Tuesday, 10 April 2012 | |||||
It’s a simple, sad story, but it’s joyfully told. So said FringeGuru’s Carmel Doohan, reviewing Translunar Paradise on its Edinburgh run last year. As an ageing man struggles to confront his life-partner’s death, he escapes to a personal paradise of cherished memories – where his departed wife, in one final act of love, teaches him how to let go. There are no spoken words in this highly-physical piece; two masked actors dance and mime their roles, to the strains of a haunting ballad and the whistle of an accordion. Tiny gestures convey a lifetime of love, while mimed shapes and structures recall the rituals of companionship. There’s some pain as well, and a powerful evocation of war, but it’s a deliberately unexceptional story. Behind the masks, Carmel wrote, the man and woman could be any of us. It’s all the work of Anglo-Canadian ensemble Theatre ad Infinitum, whose mournfully bleak production The Big Smoke earned a slate of plaudits in Brighton last time round. But while last year’s play mined the depths of despair, Translunar Paradise – even as it confronts death – affirms what’s best in life. We’re far from the only ones to have sung its praise in Edinburgh… so book early, and let’s hope it travels well. |
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FROM OUR ARCHIVES
These are archived reviews of shows from Brighton 2012. We keep our archives online as a courtesy to performers, and for readers who'd like to research previous years' reviews.