 The Brighton Fringe is here again! Running throughout May, England's largest arts gathering is going from strength to strength, drawing together the city's already-vibrant cultural scene and cementing its position among the leading Festivals of the world. Informal and manageable, all events are within easy striking distance of London - or if you're coming from further afield, Gatwick's a short train ride away. The Brighton Fringe is four weeks long this year. In a change from previous festivals, events run from 4 May right through to 2 June - taking in both May's bank holidays, as well as school half-term.
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Published on Wednesday, 12 June 2013 |
Matt Rudkin’s delightful little show – packed with low-fi props and silly-yet-clever ideas – had its audience in joyful fits before it had even properly begun. Two earnest young men, dressed in white shirts and black ties, aim to arrange the seating so that tall people are at the back and smaller ones at the front. When their system falls apart, the frustration is delicious. And their continued interplay, supposedly setting up the show, is genuinely and twistedly hilarious. |
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Published on Thursday, 06 June 2013 |
In the suitably retro setting of The Old Courtroom, West End musician David Watts treats us to a family-friendly showing of Charlie Chaplain’s 1916 film Behind The Screen – which he accompanies on a keyboard and a percussion set, recruiting eager young volunteers from the audience to fill additional instrumental roles. Famed (as I now know) as the first appearance of the custard-pie fight on celluloid, this energetic movie is enhanced by Watts’ madcap soundtrack, which he skilfully synchronises in a live performance that’s both visually engaging and tunefully fine. |
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Published on Thursday, 06 June 2013 |
You know that old chestnut about a woman scorned? It forms the premise of The Revenge Fantasy Club, which sees two angry women – Bridget and Shelley – meet at a corner table in the Metrodeco café, to plan revenge on their mutual one-time paramour James. The banter’s witty and the performances are strong, though I felt the play would benefit from little more substance and darkness to its plot. |
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Published on Sunday, 02 June 2013 |
Claudia Jeffries – in make up that’s on the border between The Only Way is Essex and full-clown – crab-walks onto the Marlborough stage, listing to one side like a broken doll. As we take in her plastic smile and her stained, torn tutu, she comes closer, walking like a toddler. Then she goes back offstage does it again. To nervous laughter, Jeffries announces “I’m Jewel; I’m entering a beauty pageant. If I don’t win, I’m going to be upset.” And we’re off to another place. |
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Published on Friday, 31 May 2013 |
If writer-actor-virtuoso Robert Cohen had spent a month telling the story of a New York Jew who dobbed in his Communist pals to the FBI, it would have been absolutely fine by me. |
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Published on Friday, 31 May 2013 |
The Cow Play is not the best title, but don't let that put you off. It's quite a thought-provoking show on the effects of depression, with a lot of promise. As it stands, it's not clicking together as well as it could; but it's almost there. You can see the potential and this is a young company to watch. |
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Published on Wednesday, 29 May 2013 |
Puddles is an unusual romance which sees two quirky call-centre workers grow beautifully together, one afternoon when the phones go down. The script is a burst of brave poetry, the acting is deft and joyous – the production is a must-see. |
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Published on Wednesday, 29 May 2013 |
Does absence make the heart grow fonder, or fill it with fear and loathing? Tim Cook’s new play presents two couples in a café in an attempt to answer this question – but it’s an effort which ultimately suffers at the hands of a somewhat thoughtless production. |
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